![]() ![]() I like to play high stakes, even if those stakes are sort of muffled to be in a scene about laundry, of which I do many as a lady. The actress noted that it is part of her method to look for the pure drama in the work that she is doing, and honing into something as classic as an Aesop Fable advanced that work:įor every character I try to think of, no matter what the genre is, finding the Greek circumstances. Just as the Box Turtle wants to teach a lesson, Hilary Swank’s Athena and her fellow scorned liberal elite CEOs establish the Hunt, but Crystal the Jack Rabbit bites back (as directly illustrated via the bunny Crystal sees following her deadly battle at the end of the movie).Ī perfect extension of this, Betty Gilpin noted that she saw a great deal of who Crystal is reflected in that monologue. At the end of the film, it’s revealed that “Manorgate” was essentially designed as a contrapasso punishment for online conspiracy theorists who spread the original lie of Manorgate to begin with. ![]() That last bit in particular is what makes the new take on the tale fit ever so perfectly with the larger themes of The Hunt. ![]() So if anything, that scene illustrates what happens when you wag your finger at someone and try to teach them a lesson, your finger might find itself getting bitten off. And so I'm always curious what happens after the fable. In the real world, that person, if they lost, there would be vengeance. Referring to the classic as having a “horrible moral,” Damon Lindelof explained that it’s only really applicable if you’re racing against a particular personality type – and if that’s the case, there’s going to be consequences: ![]()
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